TF1, RTBF and RTV SLO covered Qatar 2022 with Zero Density

The virtual studios generated with 零密度 Reality Engine enabled broadcasters such as TF1, 实时BF, RTV SLO, 阿尔卡斯, ICE 电视, 阿斯特罗和阿沙克新闻 to expand their possibilities for coverage of the Qatar 2022 World Cup.

TF1, used to hybrid virtual studios, once again relied on Zero Density’s Reality technology to enhance the coverage of the 杂志 format. For this project, the French broadcaster partnered with 肯尼迪机构 for the design of the graphics package and 梦墙 for the integration and configuration of 现实. This joint effort resulted in the construction of a virtual balcony on the edge of a stadium, from where commentators could comment on line-ups or tactics. The staging was completed with the 飞摄 function, which allows for 360-degree visual narration。

In addition, the Belgian broadcaster 实时BF provided seven and a half hours of daily coverage from a virtual studio consisting of an LED屏 flanked by two green chroma walls。梦墙 was again responsible for this integration, which was powered by three 现实 engines and two 雷安培 workstations. Thanks to this set-up, the Belgian broadcaster was able to place the presenters on a photorealistic rooftop in Qatar, with different lighting to represent day, evening and night. Similarly, the virtual camera allowed 实时BF to move from the studio to the stadium, offering recreations of Doha’s eight football stadiums.

Augmented reality elements were also used to display scores, statistics and dynamic line-ups, and several players were teleported for live interviews.

RTVE SLO, Asharq News, ICE TV, Astro and Alkass

Slovak broadcaster RTV SLO made its debut with augmented reality ecosystems for Qatar 2022. RTV SLO’s 80 m2 U-shaped set was extended with an additional studio that provided more space for the presenter to move around more freely and provide all the key facts about the Qatar 2022 World Cup. RTV SLO operated daily with three cameras, each connected to a 现实引擎. All of them were coordinated with 现实中心 to feed all graphics, based on 虚幻引擎. The shape and colour space conversions of this workflow were handled by 现实 凯耶尔。

阿沙克新闻, on the other hand, decided to squeeze Reality Engine to allow its presenters to stand in the middle of a giant virtual football stadium, with virtual fans cheering to bring the space to life. This environment was complemented by a large virtual video screen that was used to show relevant footage from the matches. 冰电视 in the Maldives decided to go one step further: in addition to creating a virtual set to complement its programming, the television station decided to design a virtual table for the presenters. 阿斯特罗 (Malaysia) used three 现实引擎 to power its set, designed by Astro’s in-house design and motion department.

Finally, Qatar’s 阿尔卡斯体育频道 took advantage of four 现实引擎 to build a virtual set that would mutate through multiple designs. The Alkass team also took advantage of the Reality Engine’s capabilities to teleport different guests into the studio live.

https://youtu.be/6IKxmd1t3QU

经过起草，2023 年 1 月 4 日，部分：AR/VR/XR, 图形

其他文章有关 Alkass [INT], Asharq [INT], Astro [INT], ICE TV [INT], RTBF [INT], RTV SLO [INT], TF1 [INT], 零密度 [INT]

你喜欢这篇文章吗？

订阅我们的通讯你不会错过任何东西。