70 premieres of the autumn TV season, created with Blackmagic

Blackmagic’s URSA Mini Pro 12K and Pocket Cinema Camera, DaVinci Resolve Studio software and other Blackmagic products have been used to shape more than 70 TV and web series and shows premiering in the fall of 2022.

These include major premieres such as Baking It, Blue Bloods, CSI:Vegas, Heels, Grey’s Anatomy, Law and Order, Motherland, NCIS, Saturday Night Live, Station 19, The Good Fight, The Peripheral, The Simpsons, Wipeout, Young Sheldon 和 The Lord of the Rings: Rings of Power。

The producer of the latter, Ron Ames, shares his experience with Blackmagic solutions: On Rings of Power, we used 黑魔法 Design products throughout our whole cloud based pipeline. From camera capture to exhibition, Blackmagic Design hardware and software played an integral role in streamlining the flow of image based data. We utilized the full suite of tools from image capture through editorial, VFX and final color correction.

Series shot with Blackmagic cameras

Big 天空 DP Ken Glassing used the Pocket Cinema Camera 4K for select shots
CSI: Vegas DP Christian Sebaldt used the Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Pocket Cinema Camera 6K Pro and the URSA Mini Pro 12K for various specialty shots
Cinematographer Steve Gainer shot Life By Ella with the URSA Mini Pro 12K
The Lord of the Rings: The Rings of Power Producer Ron Ames used Pocket Cinema Camera 6K Pros for a variety of witness camera, VFX plate and live stream eyeline work, as well as various converters for real time color reviews
Station 19 Cinematographer Christian Sebaldt (episodes 515, 517) used the Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Pocket Cinema Camera 6K Pro and URSA Mini Pro 12K for various specialty shots
这 Game DP Darren Genet, ASC, used Pocket Cinema Camera 6K Pros for select shots
Crafty Apes On Set Supervisor Josh Stevens used Pocket Cinema Camera 4K to capture background actor elements for Heels; and
Young Rock DP Judd Overton used URSA Mini Pro 12K and Pocket Cinema Camera 6K Pro for a variety of shots

Series whose VFX were created with Blackmagic solutions

VFX Supervisors John Gross and Fred Pienkos of Muse VFX chose Fusion Studio for compositing NCIS Season 20, 这 Neighborhood, What We Do in the Shadows 和 Wolf Pack
Blue Bloods VFX Supervisor Mike Warren of Filmworks/FX NY used Blackmagic Production Camera 4Ks for VFX shots, as well as DaVinci Resolve Studio within the VFX pipeline and Intensity Shuttle for playback
Shaley Brooks of Iris Digital Post used Fusion Studio for light VFX work with 家 Economics
The End Is Nye in house VFX Supervisor Arthur Mesa and Jeremy Nelson used Fusion Studio for pre and post vis, as well as finalizing the show
Crafty Apes’ Editorial team used DaVinci Resolve Studio as part of their VFX editorial work on 这 Peripheral

Post-produced series with DaVinci Resolve Studio

A Million Little Things, Young Rock and Reboot graded by Russell Lynch of Colortime
Abbott Elementary, Anne Rice’s Interview With the Vampire, Kung Fu 和 The Walking Dead S11: The Finale Episodes graded by Chris Boyer of Picture Shop
American Gigolo graded by Shane Harris of Picture Shop
Baking It 和 Wipeout graded by Yoram Tal C.S.I.
Big Sky, DC’s Stargirl 和 The Cleaning Lady graded by Paul Allia of Picture Shop
Blue Bloods graded by Andrew Geary of Company 3
Bob Hearts Abishola graded by Sparkle of Picture Shop
Chef vs. Wild 和 Rat in the Kitchen graded by Ricardo Martinez
Chesapeake Shores graded by Achim Kapitza of 24 Frames
Yellowjackets graded by Patrick Woodard of Point.360
Grey’s Anatomy 和 How We Roll graded by Randy Starnes and Andrew Starnes of Arsenal FX Color
Growing Up graded by Sal Malfitano of Nice Shoes
Legacies, Vampire Academy 和 Roswell, New Mexico graded by Charlie Tucker of Point.360
Home Economics graded by Shaley Brooks of Iris Digital Post
Joe Pickett, New Amsterdam 和 The Good Doctor graded by Larry Field of Arsenal FX Color
Law and Order, Law and Order: Organized Crime and The Lord of the Rings: The Rings of Power graded by Skip Kimball of Company 3
Murdoch Mysteries graded by Michael Dobroski of Picture Shop
Ms. Marvel graded by Matt Watson of Marvel Studios Finishing
NCIS Season 20 和 NCIS Hawaii graded by George Delaney of Picture Shop
NCIS LA graded by Thomas Galyon of DigitalFilm Tree
Our Kind of People, Rapsh!t 和 With Love graded by Rory Gordon of Arsenal FX Color
Reginald The Vampire Editor Lisa Binkley used Blackmagic eGPU for remote post work
Saturday Night Live filmed pieces graded by Elias Nousiopoulos
Station 19 graded by Roy Vasich of Picture Shop
SWAT graded by Siggy Ferstl of Company 3
Tell Me Lies graded by Mark Kueper of Picture Shop
The Endgame graded by Aidan Stanford of Arsenal FX Color
The Good Fight graded by Steven Bodner of Picture Shop
The Next Thing You Eat graded by Scott Klein of Light Iron
The Rookie graded by Dave Hussey of Company 3
The Simpsons graded by Jason Fabbro of Picture Shop
Walker graded by Tony D’Amore of Picture Shop
Yellowstone graded by Bob Festa of Company 3
Young Sheldon graded by George Manno of Picture Shop

Series produced with other Blackmagic products

Goldbergs DIT Kevin Mills used Smart Videohub 16×16 router, Smart Videohub CleanSwitch 12×12, SmartView Duo monitor, DaVinci Resolve, DeckLink Mini Monitor playback card, DeckLink Mini Recorder capture card, various Mini Converters and Blackmagic MultiView 4 HD
All American DIT Urban Olsson used Smart Videohub 20×20, DeckLink Duo 2, DeckLink 4K Extreme 12G, UltraStudio HD Mini capture and playback device, UltraStudio 4K, Multiview 4, Micro Converter SDI to HDMI 12G and DaVinci Resolve Studio
Gossip Girl DIT Chloe Walker used Smart Videohub 20×20 and UltraStudio Express
Anne Rice’s Interview With the Vampire DIT Imanuel Smith used DaVinci Resolve Studio and UltraStudio 4K Mini
Kung Fu DIT Jonathan Yip used Smart Videohub 20×20, Smart Videohub Master Control Panel, Videohub Smart Control Pro, MultiView 4, DeckLink 8K Pro, DeckLink Duo 2, Micro Converter BiDirectional SDI/HDMI 12G, Mini Converter SDI Distribution 4K, SmartView Duo 4K and DaVinci Resolve
La Brea DIT Reece Flemming used Smart Videohubs, DaVinci Resolve, Video Assist 5 12G HDR monitor and recorder and Blackmagic MultiDock
Life By Ella DP Steve Gainer used DaVinci Resolve for on set color correction
Motherland 和 911: Lonestar DIT Michael Sanchez used UltraStudio 4K and Smart Videohub 20×20
Reasonable Doubt DIT Rob Rogers used various ATEM live production switchers
Station 19 DIT John Reyes used DaVinci Resolve Studio for on set color correction
Wedding Season DIT Kerr Loy used DaVinci Resolve Studio to DeckLink Mini Monitor 4K
Wellington Paranormal DIT Alex Boyd used UltraStudio Mini Monitor and Mini Converter SDI to Audio