60 Fall 2021 series created with Blackmagic Design solutions

A number Блэкмэджик Дизайн solutions, including cameras, software and other solutions, have been used to create more than 60 series released in the fall of 2021.

These include Ghosts, which used УРСА Мини Про 12К и Карманная кинокамера 4K units to shoot the pilot; Station 19, which based its entire virtual production on Blackmagic Design; and other household names such as Succession, The Simpsons и Billions, which were color corrected with Студия DaVinci Resolve. In addition, solutions such as ATEM Mini Pro mixers have facilitated various remote workflows, such as the one used by Doogie Kamealoha, M.D.‘s special effects team.

Among the series for the fall 2021 season made with Blackmagic Design cameras are:

Blue Bloods: visual effects supervisor Mike Warren (Filmworks/FX NY) used Blackmagic Production Camera 4K units for the special effects shots
The Equalizer: cinematographer Stefan Czapsky used Карманная кинокамера 4K units for the supplemental shots.
Ghosts: DP Judd Overton used УРСА Мини Про 12К and Pocket Cinema Camera 4K units for some of the pilot episode shots.
Nancy Drew: DP Shamus Whiting-Hewlett used Карманная кинокамера 6K Pro units for some shots.
NCIS и The Neighborhood: visual effects supervisors John Gross and Fred Pienkos (Muse VFX) used URSA Mini Pro 12K units to shoot the visual effects elements and base images.
Puppy Place: cinematographer Steve Gainer (ASC, ASK) used the URSA Mini Pro 12K model.
Succession: visual effects supervisor Aaron Raff (Phosphene) used the Pocket Cinema Camera 6K to shoot the visual effects elements and base images.

Visual effects and virtual productions

Студия DaVinci Resolve has been another indispensable mainstay for the creatives and technicians who have shaped the visual effects for a number of important series. Some of the most notable names include:

9-1-1: visual effects supervisor Bert Poole (SpinVFX) used DaVinci Resolve Studio.
American Rust: visual effects supervisors Greg Radcliffe and Christian Lowe (Phosphene) used DaVinci Resolve Studio
Blue Bloods: visual effects supervisor Mike Warren (Filmworks/FX NY) used DaVinci Resolve Studio as well as Intensity Shuttle devices for image playback
Doogie Kamealoha, M.D.: visual effects artist Mike Gaines (InvisEffects) used DaVinci Resolve Studio, as well as an ATEM Mini Pro mixer to collaborate remotely with production
Insecure, Liza on Demand, NCIS, NCIS: Los Angeles, The Neighborhood, One of Us Is Lying, Queens и Y: The Last Man: visual effects supervisors John Gross and Fred Pienkos (Muse VFX) used Студия Фьюжн for compositing, as well as DaVinci Resolve Studio to edit effects on different shows
Station 19: Visual effects supervisor Sam Nicholson (Stargate Studios) used DaVinci Resolve Studio, DaVinci Resolve Micro Panel devices, UltraStudio и DeckLink capture and playback cards, and other equipment for virtual production.

Color correction with DaVinci Resolve

While Студия DaVinci Resolve is used in visual effects contexts, it is in color grading that it really shines. The selection of fictions in this area are:

All American и Batwoman: colorized by Matt Lear (Mad Old Nut Productions).
American Horror Story: Double Feature и Truth Be Told: color-keyed by Jeremy Sawyer (Light Iron)
B Positive и Bob Hearts Abishola: color-keyed by Sparkle (Picture Shop)
The Big Leap и South Side: color-keyed by Aidan Stanford (Arsenal)
Big Небо (episodes 114, 115 and 116) and The Cleaning Lady (pilot): color-keyed by Paul Allia (Picture Shop)
Billions: colorized by Joe Gawler (HARBOR)
Doogie Kamealoha, M.D.: graded by Frederik Bokkenheuser (Picture Shop)
Fear the Walking Dead, The Walking Dead и The Walking Dead: World Beyond: graded by Chris Boyer (Picture Shop)
The Game, The Girl in the Woods, The Next Thing You Eat и Sacrifice: graded by Scott Klein (Light Iron)
Хороший Доктор и New Amsterdam: graded by Larry Field (Arsenal)
Gossip Girl, Scenes from a Marriage, Station Eleven и Succession: graded by Sam Daley (Light Iron)
Home Economics: graded by Shaley Brooks (Iris Digital Post), with Dolby Vision mastering by Thomas Galyon, CSI (DigitalFilm Tree)
Инсайдеры и Money Heist: graded by Fernando M. Cos-Gayón, David González and Pepe Abellán (PICNIC)
The L Word: Generation Q: graded by Nicholas Hasson (Light Iron)
Legacies и Roswell, New Mexico: graded by Charlie Tucker (Point 360)
A Million Little Things и Ordinary Joe: graded by Russell Lynch (ColorTime)
Mr. Corman: graded by Phil Beckner (FotoKem)
Murdoch Mysteries и Slasher: Flesh and Blood: graded by Michael Dobroski (Picture Shop)
NCIS: graded by George Delaney (Picture Shop)
NCIS: Los Angeles: graded by Thomas Galyon (DigitalFilm Tree)
NYC Epicenters 9/11 2021 ½: graded by Roman Hankewycz (HARBOR)
Only Murders in the Building: graded by Nat Jencks (PostWorks New York)
Our Kind of People: graded by Aurora Gordon (Arsenal)
Penn and Teller: Fool Us: graded by Jeff Jacobson
Queens и Station 19: graded by Roy Vasich (Picture Shop)
The Simpsons: graded by Jason Fabbro (Picture Shop)
Tough As Nails: graded by Crash Carlucci (Baked Studios)
Уокер: graded by Tony D’Amore (Picture Shop)
Yellowjackets: graded by Patrick Woodard (Point.360)