Terry Jones grades his latest film, 'Absolutely Anything', with DaVinci Resolve

The goal when grading this new British sci-fi comedy was to create a 35mm film-like look without using a single reference image, so the production would retain its unique character.

Given Valentic, founder and lead colorist of Mytherapy, has used DaVinci Resolve of Blackmagic Design grading the new British sci-fi comedy Absolutely anything starring Simon Pegg.

The feature film, directed by Terry Jones (Monty Python) and co-starring Kate Beckinsale and the late Robin Williams, focuses on the story of Neil, a frustrated schoolteacher who suddenly discovers that he has the ability to do anything thanks to his powers. conferred by a group of aliens who observe it from space.

Valentic worked closely with filmmaker Peter Hannan to define the aesthetic of the feature film and was involved in pre-production for a considerable time before filming began.

“I grew up watching Monty Python and knew that this project would not be a conventional comedy, so I set myself the challenge of developing a particular look for the film that reflected this concept. “We began determining the look and style of the film using test footage shot during pre-production and, once principal photography was underway, we graded from the first to the last shot,” says Valentic.

The goal was to create a 35mm film-like look without using a single reference image, so that the production would retain its unique character.

“We recorded in ARRI RAW format with a full-frame sensor because we wanted to take advantage of all the pixels that the camera was capable of capturing in this type of files. We then cropped the footage, panned and mastered in 2K resolution, as this was primarily a theatrical production,” Valentic continued. “We all agreed that the realistic look the camera offers in REC 709 mode would not work for this project. The images would look too digital and not be pleasant to work with. “We decided to delve more closely into colorimetric emulation techniques and managed to create a much lighter and slightly diffuse color palette that better fit the world we were creating.”

“DaVinci Resolve Studio and its control surface are my favorite tools because they allow me to apply colorimetry principles through their unique nodal structure. Thanks to the versatility that the program offers, we were able to use it on the recording set and in the data laboratory, as well as in the mastering and final grading process. The work procedure turned out to be so simple and fluid that I can't imagine how we would have been able to finish the project without Resolve,” he concludes.

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